"Anon" closes.

Thank you to The Echo Theater Company and our supporters for making the L.A. Premiere of Kate Robin's "Anon" a success. We had great houses, stellar reviews and brought new people into our theater... who will be coming back. The big question is: "What's next?". Stay tuned.

Back Stage West Pick of the Week!

Director Chris Fields has assembled a top-notch cast... Pongetti and Weaver subtly segue from the early comic banter to growing sexual anguish and insecurity... ...Martin and Joshua play out the more grinding blue-collar version of dysfunction... ...the 10 other women are terrific. Read the full review at: http://www.backstage.com/bso/news_reviews/la/review_display.jsp?vnu_content_id=

LA STAGE SCENE RAVES ABOUT "ANON"

"Chris Fields is an actor’s director, and has elicited fine performances from his entire ensemble.""Anon is funny, raw, insightful, and involving entertainment, put together by a talented team.""...Martin gives a moving and deeply layered performance...""With stardom-bound film actors like Weaver and Pongetti performing “live and in person” and a lauded TV scribe like Robin showing her

Opening Night Party Pics

Sarah Jane Morris, Chris Fields and Kit Pongetti Loreni Delgado, Ginette Rhodes, Andrea Grano, Blayne Weaver, Tara Karsian, Alison Martin, Anna Simone Scott, Sarah Jane Morris and Kit Pongetti. Kit Pongetti, Sarah Jane Morris, Loreni Delgado and Andrea Grano Sarah Hudson, Sarah Jane Morris and Emy Coligado Blayne Weaver and Kit Pongetti Blayne Weaver, Sigute Miller, Andrea Grano and Tricia

Los Angeles Times Review praises "Anon"

The Los Angeles Times recommends "Anon": ..."director Chris Fields and his actors tease dark humor out of the writing and unhesitatingly depict the story's raw reality." ..."a provocative discourse on the connection between individual behavior and global dysfunction." ..."This is visceral theater." Check out the entire review at: http://www.latimes.com/entertainment/

Los Angeles Times

latimes.com HEAVY PETTING After working for several seasons on HBO's "Six Feet Under," a drama about a family-run mortuary, Emmy-nominated playwright Kate Robin has turned her attention to an equally curious subject in her new work, "Anon." Directed by Chris Fields, starring Kit Pongetti and Blayne Weaver (pictured) and

"Anon" opens on Friday!

Written by Emmy-nominated and WGA award-winning playwright Kate Robin (writer/supervising producer “Six Feet Under”). Directed by Chris Fields, the cast includes Kit Pongetti (“Scrubs”), Blayne Weaver ("Losing Lois Lane"), Alison Martin ("Mad About You"), and Larry Joshua (“NYPD Blue”), as well as a rotating ensemble of 20 women. Produced by Lauren Bass for the Echo Theater Company.http://

Weaver interviewed about "Anon".

Blayne Weaver, one of the leads in The Echo Theater Company's production of Kate Robin's "Anon", sat down with LA Stage Scene. Check it out: http://www.lastagescene.com/anon1.html

"Anon" cast announced.

The Echo has announced the ensemble cast for the upcoming production of Kate Robin's "Anon". Kit Pongetti, Blayne Weaver, Alison Martin and Larry Joshua star in the play (and appear at every performance). The ensemble will feature a rotating cast of 20 women (filling in the 10 remaining roles) including Nancy Bell (Polish Joke), Elizabeth Bennett ("Point Pleasant"), Emy Coligado (Miss Saigon),

Echo's Abigail Deser "one to watch"

Clearly the problem isn't a shortage of blazing young directing talent, but the proper appreciation of the director's vital role. Abigail Deser, who extracted maximum quirky delight out of Adam Bock's capricious "Thursday," in the Echo Theater Company production last winter, strikes me as someone worth investing in every bit as much as the current flavor of the month in playwriting. ~ Charles

LA Times Praises The Echo

"But would it surprise anyone to hear that many of the plays that have stayed with me in the last year were produced at postage-stamp-sized venues and filled with people who looked like they actually wanted to be there? The local groups responsible for these experiences — The Echo Theater Company,...— might not be able to ensure that their dramatists earn a living wage. But they nonetheless