Everyone who ever died is still here, just in a different part of here. Linda can communicate with them. And if you believe, she can make you hear them, too — in the thin place, the fragile boundary between our world and the other one. With acuity and relentless curiosity, Lucas Hnath’s play transforms the theater into an intimate séance, crafting an unnerving testament to the power of the mind, which has a mind of its own.
lighting design Matt Richter
sound design Alysha Bermudez
set design Abigail Deser and Amanda Knehans
Costume design Dianne Graebner
stage management Irene Lee
Lucas’ most recent play DANA H. was at the Vineyard Theatre in New York. Lucas received a 2017 Tony Award nomination for Best Play with A Doll’s House, Part 2. Hnath’s other plays include Hillary and Clinton, Red Speedo, The Christians, A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, Isaac’s Eye, and Death Tax. He has been produced on Broadway at the John Golden Theatre, Off-Broadway at New York Theatre Workshop, Playwrights Horizons, Soho Rep, and Ensemble Studio Theatre. His plays have also been premiered at the Humana Festival of New Plays, Victory Gardens, and South Coast Repertory. He is a New York Theatre Workshop Usual Suspect, a member of Ensemble Studio Theatre, and an alumnus of New Dramatists. Awards: Whiting Award, Guggenheim Fellowship, Kesselring Prize, Outer Critics Circle Award for Best New Play, Obie Award for Playwriting, Steinberg Playwright Award, and the Windham-Campbell Literary Prize.